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Clemens Meyers Großroman „Those Projectors“ – Komm wieder, Dr. May
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Clemens Meyers Großroman „Those Projectors“ – Komm wieder, Dr. May

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Clemens Meyers Großroman „Those Projectors“ – Komm wieder, Dr. May
Clemens Meijer. Photo: Gaby Gerster © Gaby Gerster

With Lex and the Cowboy through the Krieg, Gefahr and Irrsinn: Clemens Meyer presents his original Roman “Die Projektoren”.

The scripture storyteller and heartfelt fairy tale writer Karl May has used another word for an unjust doctorate. There is much interest in the intense and nach seiner Art wortreich – and with new insights, which stems, der Doktortitel zijn –, even if it takes a long time, nor a person is glaubte. If you become aware of the fact that it takes longer, the view is unclear.

That in Clemens Meyers’ currently published great novel “The Projectors” is clearly from a Dr. May that reason is, while it acts in an obligatory way, sends out two signals: First, a dismantled Honor and Sympathy Letter is given to the founder of the heroes Winnetou and Old Shatterhand and in the edition of the books are given to the Pazifists, Human Friends, Dreamers. It is clear that this might well be the case, if one of the high-ranking titles were one of the titles. If it is like this every day, if it is not the case that others die during the moments when the books are mitral, it is not the case that it happens. It would be the case that it ended up in that book and was plastered over.

The “Projektoren” is a Roman, which has been on the market for a few years now on the German market, was the Umfang, the erzählerische spannweite, the literary kitchen and the many vermögen. Here is the exploration with the German youth history, with the well-known Swedish laws of nature of the Bundesrepublikanischen Winnetou films that with the rolled amalgamation of the Zweiten Weltkrieg in the Kriegen in the old American state bank sit, vom Rechtsextremismus in the West and East German land of the early 90s up to the NSU.

A beautiful relief is one of the Erzählstränge bis den Kämpfen in the Turkish-Iraqi Border Area. A novel title with “Durch das wild Kurdistan” would be charged here with new lives and deaths on the Balkan route, in the same way that Kara Ben Nemsi experiences the war. Games in Novi Sad and the Malerian Velebit Mountains in Croatia, Leipzig, Berlin and Dortmund. Ben Rande auch Amerika in Saxony and New Leipzig in North Dakota.

In New Leipzig it was more than 200 people who wore a Winnetou style, which was a bigger hat and a Kaution. With Winnetou is the natural Pierre Brice gemeint. Schließlich is the small march and the small Karl-May-film. In America/Sachsen you will find America’s best Suss-Sauer China-imbiss, which offers more Auftritte über de Kapitel and Jahrzehnte hat. A question arises that is necessary for a science fiction comedy. It is possible that the China institutions have undergone a right-wing extreme change.

If it is so, if it is here, everything that is not possible, it deals with “The Project Tower” one of the ideas of Roman. As soon as the figures play in disguise, with another, so is the gross 1000 pages (thousand-four, as it is called in Roman, tends to be exact and to perfection).

Man cannot be sure, but if he gets out of trouble, he will be found. The author Clemens Meyer is always present every day. Figures and motifs that see the Novel with Faden and Netzen. The time of the story is always different, not with Vorgriffe and Rückblenden is self-explanatory, but the image itself appears to be moving quickly through the times and jedenfalls not a bundled zu signal.

That with the light title heroes of your, jenen “Projektoren”, the photos that recruit everything, were in the way posed. The photos of Jung and Alt, the man in the new sorrow of the 1940s, in the Kurdish area after the turn of the year. The image can no longer be displayed. It is a great experience to use another Trugbilder, Fantastereien, Träume. Projections stop.

While the projector tower focuses on the filmvorführeräten of the Brüder Skladanowsky, who is in the cinema, the film is then generally known in Yugoslavia. In a cinema in Novi Sad, a young woman has been busy with one of the misunderstood Mann for a long time in January 1942. They are verpasst/übersteht on this Weise das deutsch-ungarian Massaker gegen die serbische en jüdische Bevölkerung. Kintopp as overcrowding, a strong image. The mysterious Mann in Wolfspelz, if the young woman has an idea, will appear again, the young woman will fall when she gets up – how she may come into his own. Until you are in “Die Projektoren”, it is no problem to see more images of the projector tower.

Once the baby is on the backpack, the young woman is put in the backpack, if the man in the wolf game gets through the night. Or another kind of how you can use it, the massaker by the Zufall hat. Man knows the young and spaeter the adults and the Quirl, then his mother hat – for the massaker and for the Geburtstag, and the mother is no longer experienced. The father is also not. When the sister of the living with the Quirl ebenfalls is again put off, fell spaeter in another time and another world.

The young man with the Quirl is an Art Hauptfigur. “Cowboy” is generated, when in the funfzig years in a hut in Velebit in Croatia (Jugoslawien!). There are people who report to the partisans, who fell in the Second World War and waged war with Tito’s robbed war island that Goli did not take over. Now he is in exile and loses himself in a neighbor – if a man is betrayed, what is it, it works much too clearly.

The book:

Clemens Meyer: That Project Tower. Roman. S. Fischer, Frankfurt a. M. 2024. 1048 Seiten, 36 Euro.

“Die Projektoren” is here and nearby. In the Cowboy is the Verlass. There is a Helfer and a Dolmetscher dabei, which would become the Winnetou film in the Croatian Gebirge. In the 1970s in Western Germany a lot of attention was paid to the Groschenwestern author – a man who knows Groschenwestern and treasures, a solches Kapitel zu wrote -, and there is still no später with a sister ammengestöpselten Wanderkino in der Gegend een Erbil nach seiner schwundenen Nichte such.

It was such a Schneise through the Novel. Another, even more bizarre is LEX, Lex Barker, the Old Shatterhand from the Films, who does not only mitredet, if his long term can no longer, theoretically – LEX dazu: “Sehe ich aus, als wäre ich gestorben?” That there with the great books that have been written, there is a remarkable wall-critique in the Irren-Hilfs-Heil- und Pflegeanstalt of Dr. Güntz in Leipzig-Thonberg. It is not that Novi is sad about the essential exit point. In Raum, in the form of a Dr. May, is still “REX DAMAGDARUT” lesson, but the Hinsicht can no longer say that R is an L sign. Both Wörter explains the lesson and the lesson on the path through the facts of the novels, which are not the result of the recognition of the effects of the novel. It is a wasteland in a beautiful landscape.

If there are different types of business in the Leipziger Anstalt, you can easily use the Vorgängen in Roman nachzugehen-scheinen yourself. Whether it is a long year or a while ago, who can acquire the knowledge of the expertise.

Before everything is interesting for the ‘fragmentarist’, an insasse, der die Zukunft, for all kriegerische, competent in his wall notes voausnimmt/vorausgenommen hat. This is a matter of Mr. Smith alias Smirnin who is interested in his life. If Mr. Smith ascends – under the care of Augen and Ohren –, it would be great, if it were good. If we look at the way the Meyers Dialogsicherheit and Mutterwitz come together, it is probably a siege for the Roman era, the time of schweben. And if I have the power in the Roman era, the world will find a solution in my separation operation and offer a solution.

“The Projectors” is lovely in turbulent events and a few poetic anchors. Says the father to the child with the Quirl: “The novel, who in the modern world, is a monolith, a chaos of voices…. ” – “A chaos, Father? The modern?”, fragment of the son. “Das lernst du früh genug, mein Junge”, says the father. Or: the cowboy and the woman, in the sense that they speak of Novi Sad, of the German Neusatz nannten. “Neusatz, it is no different, and it is difficult to show your hair, no matter how you do it. If you experience a whisper in your fragment, your own war will not be a war: do you want to do everything again? It is a war and it is only a matter of time, no matter how. It’s a war and it’s a matter of, wiederholte and nahm his head in both hands.”

If there are different alphabetical and numerical sortings, the chaos and the chaos is brought to the punk. That also hears a few details, which the drawer holds up, from the Mutzbratenstreit in the German Democratic Republic until the Gendern. When a German neo-Nazi became a woman, he died, when the man was no longer on the beach. It seems that Mr. Redner Christian W. and Mr. Redner Christian W. have sat in the first place: “Of course it speaks of our comrades.”

It was noticeable that you laughed, but it is an unzitierbare rolled. Was Menschen Menschen antun, ist unmemorable. Früher war is no better. Aber manchmal is better. Der Cowboy Ruft ins Tal: “Komm wieder, Dr. May”, vom Echo fragmentiert, verzerrt und weitergetragen.

This Roman flat for Anspielungen, trivial and literary. This is a small hint, and man can find it, if he only googles. If you find ‘The Project Tower’ so unique and free, this man can give you a lesson. “The Project Tower” has become a big book itself, but it has not become bigger than the enormous Meyerschen readings occur.

Most people fell new out of the Jugoslawic and German History, about the Beauty and the Schrecken des Lebens, and even if the Schrecken grew bigger, the Schönheit is not zu despised and was not despised in “Die Projectors”.

If the world continues like this, the greater the chance that the “project tower” will be viewed by Roman history, the lessons will take more and more years for the royal nehmen, on the “Zauberberg”.